Story is a common term for a recounting of a sequence of events, narrative, or for a statement regarding the facts pertinent to a situation in question. It is defined as a narrative or tale of real or fictitious events. Notable cases of stories include:

Bedtime story, a traditional form of storytelling, told to children to prepare them for sleep

Organization story, a narrative used in organization studies

Short story, a fictional narrative of briefer length than a novella

"Stories", or "my stories", American slang for television soap opera

User story, a method of illustrating software requirements

Storytelling, the conveying of events in words, images and sounds, often by improvisation or embellishment

Story or Stories may also refer to:

Architecture

Story, or storey, a floor or level of a building

Media

''Story'' (magazine), an American literary magazine published 1931–1961 and 1989–2000

''The Story with Dick Gordon'', a radio interview program that debuted in 2006

Story, one of the main characters in the 2006 film ''Lady in the Water''

Music

Artists

The Story (UK band), an English psych-folk band 2002-present

Stories (band), an early 1970s American rock group

The Story (band), an early 1990s folk-rock duo

Albums

''A Story'', a 1997 album by Yoko Ono, recorded in 1974

''Story'' (album), a 2000 compilation album by Finnish heavy metal band Amorphis

''The Story'', a 2006 album by Bizzy Bone

''The Story'' (Brandi Carlile album), a 2007 album by Brandi Carlile

''Story'' (Eric Clapton album), a 1991 album by Eric Clapton

Songs

"The Story", a song on the 2005 album ''A Beautiful Lie'' by 30 Seconds to Mars

"The Story" (song), written by Phil Hanseroth on the 2007 album ''The Story'' by Brandi Carlile

"Story" (Maroon 5 song), a song by Maroon 5

"Story", a song by Blitz Kids featuring Aled Phillips of Kids in Glass Houses

People

Story Musgrave (born 1935), American doctor and astronaut

Joseph Story (1779–1845), American attorney, author, law professor, politician, and U.S. Supreme Court Justice

Story Tweedie-Yates (born 1983), professional American tennis player

Story (surname)

Places

Story, Indiana, United States

Story, Wyoming, United States

Story City, Iowa, United States

Story County, Iowa, United States

Fort Story, a sub-installation of the United States Navy and Little Creek Amphibious Base

Story, Arkansas, United States

See also

Storey, any level part of a building that has a permanent roof and could be used by people

Story arc, an extended or continuing storyline in episodic storytelling media

Storytelling, the conveying of events in words, images and sounds often by improvisation or embellishment

Back-story, the literary device of a narrative chronologically earlier than, and related to, a narrative of primary interest

de:Story it:Story nl:Story ja:ストーリー (曖昧さ回避) pl:Story pt:Story ro:Story ru:Стори simple:Story srn:Stori

Coordinates	3°10′24″N113°2′36″N
name	The Cure
background	group_or_band
origin	Crawley, England
genre	Alternative rock, gothic rock, New Wave, post-punk
years active	1976–present
label	Fiction, Suretone, Geffen, Polydor, Elektra, Asylum, Sire|, Warner
associated acts	Malice, Easy Cure, The Glove, Siouxsie and the Banshees
website
current members	Robert SmithSimon Gallup Porl Thompson Jason Cooper
past members	Michael DempseyMatthieu HartleyPhil ThornalleyAndy AndersonBoris WilliamsPerry Bamonte Lol Tolhurst Roger O'Donnell }}

The Cure are an English rock band formed in Crawley, West Sussex in 1976. The band has experienced several line-up changes, with frontman, vocalist, guitarist and principal songwriter Robert Smith being the only constant member. The Cure first began releasing music in the late 1970s with its debut album ''Three Imaginary Boys'' (1979); this, along with several early singles, placed the band as part of the post-punk and New Wave movements that had sprung up in the wake of the punk rock revolution in the United Kingdom. During the early 1980s, the band's increasingly dark and tormented music helped form the gothic rock genre.

After the release of ''Pornography'' (1982), the band's future was uncertain and Smith was keen to move past the gloomy reputation his band had acquired. With the 1982 single "Let's Go to Bed" Smith began to place a pop sensibility into the band's music (as well as a unique stage look). The Cure's popularity increased as the decade wore on, especially in the United States where the songs "Just Like Heaven", "Lovesong" and "Friday I'm in Love" entered the ''Billboard'' Hot 100 chart. By the start of the 1990s, The Cure were one of the most popular alternative rock bands in the world. The band is estimated to have sold 27 million albums as of 2004. The Cure have released thirteen studio albums and over thirty singles during the course of their career.

History

Formation and early years (1973–1979)

The first incarnation of what became The Cure was The Obelisk, a band formed by students at Notre Dame Middle School in Crawley, Sussex. The band made their public debut in a one-off performance in April 1973, and featured Robert Smith (piano), Michael "Mick" Dempsey (guitar), Laurence "Lol" Tolhurst (percussion), Marc Ceccagno (lead guitar) and Alan Hill (bass guitar). The first real incarnation though came in January 1976 when Ceccagno formed Malice with Smith and Dempsey along with two other classmates from St. Wilfrid's Catholic Comprehensive School, with Ceccagno on lead, Smith on guitar, and Dempsey switching to bass. Ceccagno soon left, however, to form a jazz-rock fusion band called Amulet. Increasingly influenced by the emergence of punk rock, Malice's remaining members became known as Easy Cure in January 1977. By this time, Smith and Dempsey had been joined by Lol Tolhurst from The Obelisk on drums, and new lead guitarist Porl Thompson. Both Malice and Easy Cure also trialled several unsuccessful vocalists before Smith finally assumed the role of Easy Cure's frontman in September 1977.

That year, Easy Cure won a talent competition with German label Hansa Records, and received a recording contract. Although the band recorded tracks for the company, none were ever released. Following disagreements in March 1978 over the direction the band should take, the contract with Hansa was dissolved. Smith later recalled, "We were very young. They just thought they could turn us into a teen group. They actually wanted us to do cover versions and we always refused." Thompson was dropped from the band in May, and the remaining trio (Smith/Tolhurst/Dempsey) were soon renamed The Cure by Smith. Later that month the band recorded their first sessions as a trio at Chestnut Studios in Sussex, which were distributed as a demo tape to a dozen major record labels. The demo found its way to Polydor Records scout Chris Parry, who signed The Cure to his newly formed Fiction label—distributed by Polydor—in September 1978. However, as a stopgap while Fiction finalised distribution arrangements with Polydor, in December 1978 The Cure released their debut single "Killing an Arab" on the Small Wonder label. "Killing an Arab" garnered both acclaim and controversy: while the single's provocative title led to accusations of racism, the song is actually based on French existentialist Albert Camus' novel ''The Stranger''. The band placed a sticker label that denied the racist connotations on the single's 1979 reissue on Fiction. An early ''NME'' article on the band wrote that The Cure "are like a breath of fresh suburban air on the capital's smog-ridden pub and club circuit" and noted "With a John Peel session and more extensive London gigging on their immediate agenda, it remains to be seen whether or not The Cure can retain their refreshing ''joie de vivre''."

The Cure released their debut album ''Three Imaginary Boys'' in May 1979. Due to the band's inexperience in the studio, Parry and engineer Mike Hedges took control of the recording. The band, particularly Smith, were unhappy with their debut; in a 1987 interview, he admitted, "a lot of it was very superficial – I didn't even like it at the time. There were criticisms made that it was very lightweight, and I thought they were justified. Even when we'd made it, I wanted to do something that I thought had more substance to it". The band's second single "Boys Don't Cry" was released in June. The Cure then embarked as the support band for Siouxsie & The Banshees' ''Join Hands'' promotional tour of England, Northern Ireland, and Wales between August and October. The tour saw Smith and Tolhurst pull double duty each night by performing with The Cure and as the guitarist / drummer with The Banshees when their guitarist John McKay and drummer Kenny Morris both walked out on the group just two days into the tour. That musical experience had a strong impact on him: "On stage that first night with the Banshees, I was blown away by how powerful I felt playing that kind of music. It was so different to what we were doing with The Cure. Before that, I'd wanted us to be like The Buzzcocks or Elvis Costello, the punk Beatles. Being a Banshee really changed my attitude to what I was doing."

The Cure's third single "Jumping Someone Else's Train" was released in early October 1979. Soon afterwards, Dempsey was dropped from the band due to his cold reception to material Smith had written for the upcoming album. Dempsey joined the Associates, while Simon Gallup (bass) and Matthieu Hartley (keyboards) from The Magspies joined The Cure. The Associates toured as support band for The Cure and The Passions on the ''Future Pastimes Tour'' of England between November and December—all three bands were on the Fiction Records roster—with the new Cure line-up already performing a number of new songs for the projected second album. Meanwhile, a spin-off band comprising Smith, Tolhurst, Dempsey, Gallup, Hartley and Thompson, with backing vocals from assorted family and friends, and lead vocals provided by their local postman Frankie Bell released a 7-inch single in December under the assumed name of Cult Hero.

Gothic phase (1980–1982)

Wary, due to the band's lack of creative control on the first album, Smith exerted a greater influence on the recording of The Cure's second album ''Seventeen Seconds'', which he co-produced with Mike Hedges. The album was released in 1980 and reached number 20 on the UK charts. A single from the album, "A Forest", became the band's first UK hit single, reaching number 31 on the singles chart. The album was a departure from The Cure's sound up to that point, with Hedges describing it as "morose, atmospheric, very different to ''Three Imaginary Boys''." In its review of ''Seventeen Seconds'' the ''NME'' said, "For a group as young as The Cure, it seems amazing that they have covered so much territory in such a brief time." At the same time, Smith was pressed concerning the concept of an alleged "anti-image". Smith told the press he was fed up with the anti-image association that some considered to be "elaborately disguising their plainness", stating, "We had to get away from that anti-image thing, which we didn't even create in the first place. And it seemed like we were trying to be more obscure. We just didn't like the standard rock thing. The whole thing really got out of hand." That same year ''Three Imaginary Boys'' was repackaged for the American market as ''Boys Don't Cry'', with new artwork and a modified tracklist. The Cure set out on their first world tour to promote both releases. At the end of the tour, Matthieu Hartley left the band. Hartley said, "I realised that the group was heading towards suicidal, sombre music—the sort of thing that didn't interest me at all."

The band reconvened with Hedges to produce their third album ''Faith'' (1981), which furthered the mood of misery present on ''Seventeen Seconds''. The album peaked at number 14 on the UK charts. Included with cassette copies of ''Faith'' was an instrumental soundtrack for ''Carnage Visors'', an animated film shown in place of an opening act for the band's 1981 Picture Tour. In late 1981, The Cure released the non-album single "Charlotte Sometimes". By this point, the sombre mood of the music had a profound effect on the attitude of the band. The band would refuse requests for older songs in concert, and sometimes Smith would be so absorbed by the persona he projected onstage he would leave at the end in tears.

In 1982, The Cure recorded and released ''Pornography'', the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre. Smith has said that during the recording of ''Pornography'' he was "undergoing a lot of mental stress. But it had nothing to do with the group, it just had to do with what I was like, my age and things. I think I got to my worst round about ''Pornography''. Looking back and getting other people's opinions of what went on, I was a pretty monstrous sort of person at that time". Gallup described the album by saying, "Nihilism took over [. . .] We sang 'It doesn't matter if we all die' and that is exactly what we thought at the time." Parry was concerned that the album did not have a hit song for radio play and instructed Smith and producer Phil Thornalley to polish the track "The Hanging Garden" for release as a single. Despite the concerns about the album's uncommercial sound, ''Pornography'' became the band's first UK Top 10 album, charting at number eight. The release of ''Pornography'' was followed by the Fourteen Explicit Moments tour, where the band finally dropped the anti-image angle and first adopted their signature look of big, towering hair and smeared lipstick on their faces. The tour also saw a series of incidents that prompted Simon Gallup to leave The Cure at the tour's conclusion. Gallup and Smith did not talk to each other for eighteen months following his departure.

Increasing commercial success (1983–1986)

With Gallup's departure from The Cure and with Smith's work with Siouxsie & the Banshees, rumours spread that The Cure had broken up. In December 1982, Smith remarked to ''Melody Maker'', "Do The Cure really exist any more? I've been pondering that question myself [. . .] it has got to a point where I don't fancy working in that format again." He added, "Whatever happens, it won't be me, Laurence, and Simon together any more. I know that."

Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style. Parry managed to convince Smith and Tolhurst of the idea; Parry said, "It appealed to Robert because he wanted to destroy The Cure anyway." With Tolhurst now playing keyboards instead of drums, the duo released the single "Let's Go to Bed" in late 1982. While Smith wrote the single off as a throwaway, "stupid" pop song to the press, it became a minor hit in the UK, reaching number 44 on the singles chart. It was followed in 1983 by two more successful songs: the synthesiser-based "The Walk" (number 12), and the jazz-influenced "The Lovecats", which became the band's first British Top 10 hit, reaching number seven. The group released these studio singles and their B-sides as the compilation album ''Japanese Whispers'', designed by Smith for the Japanese market only, but released worldwide on the decision of the record company. The same year, Smith also recorded and toured with Siouxsie & the Banshees, contributing as guitarist on their ''Nocturne'' live video and their ''Hyaena'' studio album. Meanwhile, he recorded the ''Blue Sunshine'' album with Banshees bassist Steven Severin as The Glove, while Lol Tolhurst produced the first two singles and debut album of the English band And Also The Trees.

In 1984, The Cure released ''The Top'', a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the ''Billboard'' 200 in the U.S., reaching number 180. ''Melody Maker'' praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why The Cure are having hits now of all times." The Cure then embarked on their worldwide "Top Tour" with Thompson, Anderson, and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, ''Concert'' consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left due to the rigors of the road. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Smith was ecstatic about Gallup's return and declared to ''Melody Maker'', "It's a group again."

In 1985, the new line-up of Smith, Tolhurst, Gallup, Thompson, and Williams released ''The Head on the Door'', an album which managed to bind together the optimistic and pessimistic aspects of the band's music that they had previously shifted between. ''The Head on the Door'' reached number seven in the UK and was the band's first entry into American Top 75 at number 59, a success partly due to the international impact of the LP's two singles, "In Between Days" and "Close to Me". Following the album and world tour, the band released the singles compilation ''Standing on a Beach'' in three formats (each with a different track listing and a specific name) in 1986. This compilation made the US Top 50, and saw the re-issue of three previous singles: "Boys Don't Cry" (in a new form), "Let's Go To Bed" and later "Charlotte Sometimes". This release was accompanied by a VHS or LaserDisc called ''Staring at the Sea'', which featured videos for each track on the compilation. The Cure toured to support the compilation and released a live concert VHS of the show, filmed in the south of France called ''The Cure in Orange''. During this time, The Cure became a very popular band in Europe (particularly in France, Germany and the Benelux countries) and increasingly popular in the U.S.

''Kiss Me, Kiss Me, Kiss Me'' and worldwide success (1987–1993)

In 1987, The Cure released the double LP ''Kiss Me, Kiss Me, Kiss Me'', which reached number six in the UK, the Top 10 in several countries and was the band's first entry into the U.S. Top 40 at number 35 (where it was certified platinum), due to the combination of the band's rising popularity and the success of lead single, "Why Can't I Be You?". The album's third single, "Just Like Heaven" was the band's most successful single to date in the US, being their first to enter the ''Billboard'' Top 40. After the album's release, the band embarked on the successful Kissing Tour. During the European leg of the tour, Lol Tolhurst's alcohol consumption was interfering with his ability to perform so The Psychedelic Furs keyboardist Roger O'Donnell was frequently called upon to stand in for him. In 1989, The Cure released the album ''Disintegration'', which saw a return to the gothic atmospheres of earlier releases like ''Faith'' and ''Pornography''. It became their highest charting album in the UK to date, entering at number three and featuring three Top 30 singles in the UK and Germany ("Lullaby", "Lovesong" and "Pictures of You"). ''Disintegration'' also reached number twelve on the US charts. The first single stateside, "Fascination Street", reached number one on the American Modern Rock chart, but was quickly overshadowed when its third US single, "Lovesong", reached number two on the American pop charts (the only Cure single to reach the US Top 10). By 1992, ''Disintegration'' had sold over three million copies worldwide.

During the ''Disintegration'' sessions, the band gave Smith an ultimatum that either Tolhurst would have to leave the band or they would. In February 1989, Tolhurst's exit was made official and announced to the press; this resulted in Roger O'Donnell becoming a full-fledged member of the band and left Smith as The Cure's only remaining founder member. Smith attributed Tolhurst's dismissal to an inability to exert himself and issues with alcohol, concluding, "He was out of step with everything. It had just become detrimental to everything we'd do." Because Tolhurst was still on the payroll during the recording of ''Disintegration'', he was credited in the album's liner notes as playing "other instruments", however it has since been revealed that he contributed nothing to the album in either performance or song writing. The Cure then embarked on the Prayer Tour, which saw the band playing stadiums in America.

In May 1990, Roger O'Donnell quit and was replaced with the band's guitar technician Perry Bamonte. That November, The Cure released a collection of remixes called ''Mixed Up''. The album was not well received and quickly slid down the charts. The one new song on the collection, "Never Enough", was released as a single. In 1991 The Cure were awarded the BRIT Award for Best British Band. That same year Tolhurst filed a lawsuit against Smith and Fiction Records in 1991 over royalties payments, and claimed joint ownership of the name "The Cure" with Smith; the verdict was handed out in September 1994 in favour of Smith. In respite from the lawsuit, the band returned to the studio to record their next album. ''Wish'' reached number one in the UK and number two in the US and yielded the international hits "High" and "Friday I'm in Love". The Cure also embarked on the "Wish Tour" with Cranes, and released the live albums ''Show'' (September 1993) and ''Paris'' (October 1993). As a promotional exercise with the Our Price music chain in the UK, a limited edition EP was released consisting of instrumental outtakes from the ''Wish'' sessions. Entitled ''Lost Wishes'', the proceeds from the four-track cassette tape went to charity.

In the years between the release of ''Wish'' and the start of sessions for The Cure's next album, the band's line-up shifted again. Thompson left the band once more during 1993 to play with Robert Plant and Jimmy Page of Led Zeppelin, and Bamonte took over as lead guitarist. Boris Williams also left the band, and was replaced by Jason Cooper (formerly of My Life Story).

Period of transition (1994–1999)

The album sessions began in 1994 with only Smith and Bamonte present; the pair were later joined by Gallup (who was recovering from physical problems), and Roger O'Donnell, who had been asked to rejoin the band at the end of 1994. The Cure performed "Burn" in the movie The Crow and "Dredd Song," the theme song of the 1995 movie ''Judge Dredd'' starring Sylvester Stallone. It was not released on a Cure album until 2004 on ''Join the Dots: B-Sides & Rarities 1978–2001 (The Fiction Years)''.''Wild Mood Swings'', finally released in 1996, was poorly received compared with previous albums and marked the end of the band's commercial peak. Early in 1996, the Cure played festivals in South America, followed by a world tour in support of the album ''Galore''. ''Galore'' contained all of the Cure's singles released between 1987 and 1997, as well as the new single "Wrong Number", which featured longtime David Bowie guitarist Reeves Gabrels. Gabrels also accompanied the Cure on a brief American radio festival tour as an onstage guest guitarist for "Wrong Number". In 1998 The Cure contributed to the soundtrack album for ''The X-Files'' feature film as well as the Depeche Mode tribute album ''For the Masses'', with their cover of "World in My Eyes".

Recent years (2000–present)

With only one album left in their record contract and with commercial response to ''Wild Mood Swings'' and the ''Galore'' compilation lacklustre, Smith once again considered that the end of The Cure might be near and thus wanted to make an album that reflected the more serious side of the band. The Grammy-nominated album ''Bloodflowers'' was released in 2000 after being delayed since 1998. According to Smith, The album was the third of a trilogy along with ''Pornography'' and ''Disintegration''. The band also embarked on the nine-month Dream Tour, attended by over one million people worldwide. In 2001, The Cure left Fiction and released their ''Greatest Hits'' album and DVD, which featured the music videos for a number of classic Cure songs. In 2002, the band headlined twelve major summer music festivals, and played three extended concerts (one in Brussels, two in Berlin) in which they performed the albums ''Pornography'', ''Disintegration'' and ''Bloodflowers'' in their respective entireties each night. The Berlin performances were released on DVD as ''The Cure: Trilogy'' in 2003.

In 2003, The Cure signed with Geffen Records. In 2004, they released a new four-disc boxed set on Fiction Records titled ''Join the Dots: B-Sides and Rarities, 1978-2001 (The Fiction Years)''. The compilation includes seventy Cure songs, some previously unreleased, and a 76-page full-colour book of photographs, history and quotes, packaged in a hard cover. The album peaked at number 106 on the ''Billboard'' 200 album charts. The band released their twelfth album ''The Cure'' on Geffen in 2004, which was produced by Ross Robinson. It made a top ten debut on both sides of the Atlantic in July 2004. To promote the album, the band headlined the Coachella Valley Music and Arts Festival that May. From 24 July to 29 August, The Cure headlined the Curiosa concert tour of North America. While attendances were lower than expected, Curiosa was still one of the more successful American summer festivals of 2004. The same year the band was honoured with an MTV Icon television special.

In May 2005, Roger O'Donnell and Perry Bamonte were fired from the band. O'Donnell claims Smith informed him he was reducing the band to a three-piece. Previously O'Donnell said he had only found out about the band's upcoming tour dates via a fan site and added, "It was sad to find out after nearly 20 years the way I did but then I should have expected no less or more." The remaining members of the band—Smith, Gallup and Cooper—made several appearances as a trio before it was announced in June that Porl Thompson would be returning for the band's 2005 Festival summer shows, as well as their set at Live 8 in Paris on 2 July. Later that year, the band recorded a cover of John Lennon's "Love" for Amnesty International's charity album ''Make Some Noise''. It is available for download on the Amnesty website, while the album was released on CD in 2006. On 1 April 2006, The Cure appeared at the Royal Albert Hall on behalf of the Teenage Cancer Trust. It was their only show through to the end the year. In December a live DVD, entitled ''The Cure: Festival 2005'' including 30 songs of their 2005 Festival tour was released.

The Cure began writing and recording material for their thirteenth album in 2006. Smith initially stated it would be a double album. The Cure announced a last-minute postponement of their autumn 2007 North American 4Tour in August in order to continue working on the album, rescheduling the dates for spring 2008. Titled ''4:13 Dream'', the album was released in October 2008. The group released four singles and an EP—"The Only One", "Freakshow", "Sleep When I'm Dead", "The Perfect Boy" and ''Hypnagogic States'' respectively—on or near to the 13th of each month, in the months leading up to the album's release. In February 2009, The Cure received the 2009 Shockwaves NME Award for Godlike Genius.

In 2011, the band played their first 3 studio albums in their entirety during two shows in Sydney, Australia. These "Reflections" shows notably featured Roger O'Donnell and Laurence Tolhurst, both in a keyboard and percussion role. The shows are due to be released on DVD in 2011.

Musical style

The Cure are often identified with the gothic rock subgenre of alternative rock, and are viewed as one of the form's definitive bands. However, the band has routinely rejected classification, particularly as a gothic rock band. Robert Smith said in 2006, "It's so pitiful when 'goth' is still tagged onto the name The Cure", and added, "We're not categorisable. I suppose we were post-punk when we came out, but in total it's impossible [...] I just play Cure music, whatever that is." Smith has also expressed his distaste for gothic rock, describing it as "incredibly dull and monotonous. A dirge really." While typically viewed as producers of dark and gloomy music, The Cure have also yielded a number of upbeat songs. ''Spin'' has said "The Cure have always been an either/or sort of band: either [...] Robert Smith is wallowing in gothic sadness or he's licking sticky-sweet cotton-candy pop off his lipstick-stained fingers."

The Cure's primary musical traits have been listed as "dominant, melodic bass lines; whiny, strangulated vocals; and a lyric obsession with existential, almost literary despair." Most Cure songs start with Smith and Gallup writing the drum parts and bass lines. Both record demos at home and then bring them into the studio for fine-tuning. Smith said in 1992, "I think when people talk about the 'Cure sound,' they mean songs based on 6-string bass, acoustic guitar, and my voice, plus the string sound from the Solina." On top of this foundation is laid "towering layers of guitars and synthesisers". Keyboards have been a component of the band's sound since ''Seventeen Seconds'', and their importance increased with the instrument's extensive use on ''Disintegration''. With the Departure of Roger O'Donnell in 2005, keyboards have not been as prominent in the band's album 4:13 Dream and their live shows.

Music videos

The band's early music videos have been described as "dreadful affairs" and have been maligned for their poor quality, particularly by the band itself. Lol Tolhurst said, "Those videos were unmitigated disasters; we weren't actors and our personalities weren't coming across." It was with the video for "Let's Go to Bed", their first collaboration with director Tim Pope, that The Cure would become noted for their videos. Pope added a playful element to the band's videos; the director insisted in a 1987 ''Spin'' interview, "I think that side of them was always there, but was never brought out." Pope would go on to direct the majority of The Cure's videos, and his videos, which became synonymous with the band, helped expand The Cure's audience during the 1980s. Pope explained the appeal of working with The Cure by saying, "The Cure is the ultimate band for a filmmaker to work with because Robert Smith really understands the camera. His songs are so cinematic. I mean on one level there's this stupidity and humour, right, but beneath that there are all [Smith's] psychological obsessions and claustrophobia."

Legacy

The Cure were one of the first alternative bands to have chart and commercial success in an era before alternative rock had broken into the mainstream. In 1992 the ''NME'' declared The Cure had during the 1980s become "a goth hit machine (19 to date), an international phenomenon and, yep, the most successful alternative band that ever shuffled disconsolately about the earth". Smith has noted he looks at Cure-influenced bands like Interpol and My Chemical Romance with affection, adding, "I also think [Interpol bassist] Carlos D.'s obsession with Simon Gallup is sweet." Interpol lead singer, Paul Banks was quoted as saying ""The Cure is the band that all of us in Interpol can say influenced us. When I was younger I listened to them a lot. Carlos as well. Actually, he took a straight influence from this band on the way he played the bass and the keys. To me, Robert Smith is also one of these examples: you can't be Robert Smith if you're not Robert Smith. It's one of the bands with the deepest influence on Interpol, because we all like them. They're legendary."

Several references to The Cure and their music have been made in popular culture. A number of films have used the title of a Cure song as the film's title, including ''Boys Don't Cry'' (1999) and ''Just Like Heaven'' (2005). The Cure's gloomy image has been the subject of parody at times. In series two of ''The Mighty Boosh'', The Moon sings 'The Lovecats' over the credits. In the same episode, a powerful gothic hairspray, Goth Juice, is said to be "The most powerful hairspray known to man. Made from the tears of Robert Smith." ''The Mary Whitehouse Experience'' often featured brief clips of the stars of the show performing comical songs and nursery rhymes as The Cure in a morose style. Robert Smith appeared in the final episode of the first series of ''The Mary Whitehouse Experience'' singing "The Sun has got his hat on" before punching the character Ray (played by Robert Newman) whilst uttering Ray's catch phrase "Oh no what a personal disaster". Robert Smith was also portrayed on an episode of ''South Park'' (Season 1, Episode 12) where he transforms into the form of Mothra and battles Mecha-Streisand to save the day and Kyle shouts "''Disintegration'' is the best album ever!" In Craig Thompson's graphic novel ''Blankets'' the chapter seven is called "Just Like Heaven". The same chapter shows Raina singing some lyrics from this song to Craig.

Discography

''Three Imaginary Boys'' (1979)

''Seventeen Seconds'' (1980)

''Faith'' (1981)

''Pornography'' (1982)

''The Top'' (1984)

''The Head on the Door'' (1985)

''Kiss Me, Kiss Me, Kiss Me'' (1987)

''Disintegration'' (1989)

''Wish'' (1992)

''Wild Mood Swings'' (1996)

''Bloodflowers'' (2000)

''The Cure'' (2004)

''4:13 Dream'' (2008)

Members

;Current line-up

Robert Smith – lead vocals, guitars, keyboards (1976–present)

Porl Thompson – guitars, keyboards (1976–1978, 1983–1993, 2005–present)

Simon Gallup – bass guitar, keyboards (1979–1982, 1985–present)

Jason Cooper – drums, percussion (1995–present)

References

Sources

Apter, Jeff. (2006). ''Never Enough: The Story of the Cure''. Omnibus Press. ISBN 1-84449-827-1

Further reading

''Ten Imaginary Years'', by L. Barbarian, Steve Sutherland and Robert Smith (1988) Zomba Books ISBN 0-946391-87-4

''The Cure: A Visual Documentary'', by Dave Thompson and Jo-Ann Greene(1988) Omnibus Press ISBN 0-7119-1387-0

''The Cure: Songwords 1978–1989'' S. Hopkins, Robert Smith and T. Foo (1989) Omnibus Press ISBN 0-7119-1951-8

''In Between Days: An Armchair Guide To The Cure'' by Dave Thompson, Helter Skelter Publishing (October 2005) ISBN 1-905139-00-4

''The Cure – Greatest Hits'' (songbook containing 20 of their best, transcribed note-for-note with tab, chord symbols and complete lyrics), Hal Leonard Corporation (May 2002) ISBN 0-634-04667-5

''Robert Smith: "The Cure" and Wishful Thinking'' by Richard Carman (2005) Independent Music Press (UK) ISBN 9-78095-497041-3

''Jeremy Wulc : My dream comes true : Carnet de route avec The Cure. (2009) Editions : Camion Blanc

External links

'Chain of Flowers' – News about The Cure

Category:BRIT Award winners Category:English alternative rock groups Category:British New Wave musical groups Category:Gothic rock groups Category:Musical groups established in 1976 Category:British post-punk music groups Category:People from Crawley

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Coordinates	3°10′24″N113°2′36″N
Name	Sir Elton JohnCBE
Background	solo_singer
Birth name	Reginald Kenneth Dwight
Birth date	March 25, 1947
Birth place	Pinner, Middlesex, England
Instrument
Occupation	Musician, singer-songwriter, record producer, composer
Years active	1964–68 (Bluesology)1969–present (Solo)
Genre
Label	DJM, Uni, MCA, Geffen, Rocket/Island, Universal, Interscope, Mercury, UMG
Associated acts	Bernie Taupin, Tim Rice, John Lennon, Yoko Ono, Kiki Dee, Billy Joel, George Michael, Eminem, Gladys Knight, Stevie Wonder, Dionne Warwick,Neil Sedaka
Website	}}

Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English rock singer-songwriter, composer, pianist and occasional actor. He has worked with lyricist Bernie Taupin as his songwriter partner since 1967; they have collaborated on more than 30 albums to date.

In his four-decade career John has sold more than 250 million records, making him one of the most successful artists of all time. His single "Candle in the Wind 1997" has sold over 33 million copies worldwide, and is the best selling single in ''Billboard'' history. He has more than 50 Top 40 hits, including seven consecutive No. 1 US albums, 56 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won six Grammy Awards, four Brit Awards, an Academy Award, a Golden Globe Award and a Tony Award. In 2004, ''Rolling Stone'' ranked him Number 49 on its list of the 100 greatest artists of all time.

John was inducted into the Rock and Roll Hall of Fame in 1994. Having been named a Commander of the Order of the British Empire in 1996, John received a knighthood from HM Queen Elizabeth II for "services to music and charitable services" in 1998.

He has been heavily involved in the fight against AIDS since the late 1980s. In 1992, he established the Elton John AIDS Foundation and a year later began hosting the annual Academy Award Party, which has since become one of the most high-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over $200 million.

John entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. In 2008, ''Billboard'' magazine ranked him as the most successful male solo artist on "The Billboard Hot 100 Top All-Time Artists" (third overall, behind only The Beatles and Madonna).

Life and career

Early life

John was born Reginald Kenneth Dwight on 25 March 1947, the eldest child of Stanley and only child of Sheila Eileen Dwight (née Harris) and was raised in Pinner, Middlesex in a council house of his maternal grandparents. His parents did not marry until he was 6 years old, when the family moved to a nearby semi-detached house. He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until age 17, when he left just prior to his A Level examinations to pursue a career in the music industry.

When John began to seriously consider a career in music, his father, who served as a Flight Lieutenant in the Royal Air Force, tried to steer him toward a more conventional career, such as banking. John has stated that his wild stage costumes and performances were his way of letting go after such a restrictive childhood. Both of John's parents were musically inclined, his father having been a trumpet player with the Bob Millar Band, a semi-professional big band that played at military dances. The Dwights were keen record buyers, exposing John to the popular singers and musicians of the day, and John remembers being immediately hooked on rock and roll when his mother brought home records by Elvis Presley and Bill Haley & His Comets in 1956.

John started playing the piano at the age of 3, and within a year, his mother heard him picking out Winifred Atwell's "The Skater's Waltz" by ear. After performing at parties and family gatherings, at the age of 7 he took up formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies, and gained some notoriety by playing like Jerry Lee Lewis at school functions. At the age of 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by Handel that he heard for the first time.

For the next five years he attended Saturday classes at the Academy in central London, and has stated that he enjoyed playing Chopin and Bach and singing in the choir during Saturday classes, but that he was not otherwise a diligent classical student. "I kind of resented going to the Academy", he says. "I was one of those children who could just about get away without practicing and still pass, scrape through the grades." He even claims that he would sometimes skip classes and just ride around on the Tube. However, several instructors have testified that he was a "model student", and during the last few years he was taking lessons from a private tutor in addition to his classes at the Academy.

John's mother, though also strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often physically absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights would have terrible arguments that greatly distressed their son. When John was 14, they divorced. His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately referred to as "Derf", his first name in reverse. They moved into flat No. 1A in an eight-unit apartment building called Frome Court, not far from both previous homes. It was there that John would write the songs that would launch his career as a rock star; he would live there until he had four albums simultaneously in the American Top 40.

Pub pianist to staff songwriter (1962–1969)

At the age of 15, with the help of his mother and stepfather, Reginald Dwight became a weekend pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights for £35 a week and tips. Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as songs he had written himself. A stint with a short-lived group called the Corvettes rounded out his time.

In 1964, Dwight and his friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians like The Isley Brothers, Major Lance, Billy Stewart, Doris Troy and Patti LaBelle and The Bluebelles. In 1966, the band became musician Long John Baldry's supporting band and played 16 times at The Marquee Club.

After failing lead vocalist auditions for King Crimson and Gentle Giant, Dwight answered an advertisement in the ''New Musical Express'' placed by Ray Williams, then the A&R manager for Liberty Records. At their first meeting, Williams gave Dwight a stack of lyrics written by Bernie Taupin, who had answered the same ad. Dwight wrote music for the lyrics, and then mailed it to Taupin, beginning a partnership that {{as of |2010 |alt=still continues }}. In 1967, what would become the first Elton John/Bernie Taupin song, "Scarecrow", was recorded; when the two first met, six months later, Dwight was going by the name "Elton John", in homage to Bluesology saxophonist ''Elton'' Dean and Long ''John'' Baldry.

The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, like Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he couldn't come up with anything quickly. For two years, they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the British entry for the Eurovision Song Contest in 1969, for Lulu, called "Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released recording, the single "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.

During this period, John was also a session musician for other artists including playing piano on The Hollies' "He Ain't Heavy, He's My Brother" and singing backing vocals for The Scaffold.

Debut album to ''Goodbye Yellow Brick Road'' (1969–1973)

On the advice of music publisher Steve Brown, John and Taupin started writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, former Bluesology guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, ''Empty Sky''.

For their follow-up album, ''Elton John'', John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. ''Elton John'' was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the USA, and established the formula for subsequent albums; gospel-chorded rockers and poignant ballads. The first single from the album, "Border Song", made into the US Top 100, peaking at Number 92. The second single "Your Song" made the US Top Ten, peaking at number eight and becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the Billboard 200 album chart.

Backed by ex-Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at The Troubadour in Los Angeles in August 1970, and was a success.

The concept album ''Tumbleweed Connection'' was released in October 1970, and reached the Top Ten on the Billboard 200. The live album ''17-11-70'' (''11-17-70'' in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album were heavily hit in the US when an east coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music. John and Taupin then wrote the soundtrack to the obscure film ''Friends'' and then the album ''Madman Across the Water'', the latter reaching the Top Ten and producing the hit "Levon", while the soundtrack album produced the hit "Friends". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. The band released ''Honky Chateau'', which became John's first American number 1 album, spending five weeks at the top of the charts and spawning the hit singles "Rocket Man (I Think It's Going To Be A Long, Long Time)" (which is often compared to David Bowie's "Space Oddity") and "Honky Cat".

The pop album ''Don't Shoot Me I'm Only the Piano Player'' came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first US Billboard Hot 100 number one hit. Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.

''Goodbye Yellow Brick Road'' gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number 1 for two months. It also temporarily established John as a glam rock star. It contained the number 1 hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna"). There is also a VHS and DVD as part of the Classic Albums series, discussing the making, recording, and popularity of "Goodbye Yellow Brick Road" through concert and home video footage including interviews.

Rocket Records to ''21 at 33'' (1974–1979)

John formed his own MCA-distributed label Rocket Records and signed acts to it – notably Neil Sedaka ("Bad Blood", on which he sang background vocals) and Kiki Dee – in which he took a personal interest. Instead of releasing his own records on Rocket, he opted for $8 million offered by MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life.

In 1974 a collaboration with John Lennon took place, resulting in Elton John covering The Beatles' "Lucy in the Sky with Diamonds" and Lennon's "One Day at a Time", and in return Elton John and band being featured on Lennon's "Whatever Gets You thru the Night". In what would be Lennon's last live performance, the pair performed these two number 1 hits along with the Beatles classic "I Saw Her Standing There" at Madison Square Garden. Lennon made the rare stage appearance to keep the promise he made that he would appear on stage with Elton if "Whatever Gets You Thru The Night" became a number 1 single.

''Caribou'' was released in 1974, and although it reached number 1, it was widely considered a lesser quality album. Reportedly recorded in a scant two weeks between live appearances, it featured "The Bitch Is Back" and the lushly orchestrated "Don't Let the Sun Go Down on Me". Pete Townshend of The Who asked John to play a character called the "Local Lad" in the film of the rock opera ''Tommy'', and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used for the movie release in 1975 and the single came out in 1976 (1975 in the US). The song charted at number 7 in England. Bally subsequently released a "Captain Fantastic" pinball machine featuring an illustration of John in his movie guise.

In the 1975 autobiographical album ''Captain Fantastic and the Brown Dirt Cowboy'', John revealed his previously ambiguous personality, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in John's music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life.

The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and who had helped build his live following since the beginning. Johnstone and Ray Cooper were retained, Quaye and Roger Pope returned, and the new bassist was Kenny Passarelli; this rhythm section provided a heavier-sounding backbeat. James Newton-Howard joined to arrange in the studio and to play keyboards. John introduced the lineup before a crowd of 75,000 in London's Wembley Stadium. The rock-oriented ''Rock of the Westies'' entered the US albums chart at number 1 like ''Captain Fantastic'', a previously unattained feat. Elton John's stage wardrobe now included ostrich feathers, $5,000 spectacles that spelled his name in lights, and dressing up like the Statue of Liberty, Donald Duck, or Mozart, among others, at his concerts.

To celebrate five years since he first appeared at the venue, in 1975 John played a two-night, four-show stand at The Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year he also played piano on Kevin Ayers' ''Sweet Deceiver'', and was among the first and few white artists to appear on the black music series ''Soul Train'' on American television. On August 9, 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards at ceremonies held in Santa Monica, California.

In 1976, the live album ''Here and There'' was released in May, followed by the ''Blue Moves'' album in October, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped both the American and British charts. Finally, in an interview with ''Rolling Stone'' that year entitled "Elton's Frank Talk", John stated that he was bisexual.

Besides being the most commercially successful period, 1970–1976 is also held in the most regard critically. Within only a three year span, between 1972 and 1975 John saw seven consecutive albums reach Number 1 in the charts, which had not been accomplished before. Of the six Elton John albums to make the 500 Greatest Albums of All Time in ''Rolling Stone'''in 2003, all are from this period, with ''Goodbye Yellow Brick Road'' ranked highest at number 91; similarly, the three Elton John albums given five stars by Allmusic (''Tumbleweed Connection'', ''Honky Château'', and ''Captain Fantastic'') are all from this period too.

During the same period, John made a guest appearance on the popular ''Morecambe and Wise Show'' on the BBC. The two comics spent the episode pointing him in the direction of everywhere except the stage in order to prevent him singing.

In November 1977 John announced he was retiring from performing; Taupin began collaborating with others. Now only producing one album a year, John issued ''A Single Man'' in 1978, employing a new lyricist, Gary Osborne; the album produced no singles that made the Top 20 in the US but the two singles from the album released in the UK, Part-Time Love and Song for Guy, both made the Top 20 in the UK with the latter reaching the Top 5. In 1979, accompanied by Ray Cooper, John became one of the first Western solo artists to tour the Soviet Union (as well as one of the first in Israel), then mounted a two-man comeback tour of the US in small halls. John returned to the singles chart with "Mama Can't Buy You Love" (number 9, 1979), a song originally rejected in 1977 by MCA before being released, recorded in 1977 with Philadelphia soul producer Thom Bell. Elton reported that Thom Bell was the first person to give him voice lessons; Bell encouraged John to sing in a lower register. A disco-influenced album, ''Victim of Love'', was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's ''Too Low For Zero''. ''21 at 33'', released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), although the lyrics were written by Gary Osborne.

The 80s:''The Fox'' to ''Sleeping with the Past'' (1981–1989)

His 1981 album, ''The Fox'', was recorded in part during the same sessions as ''21 at 33'', and also included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, John, with Olsson and Murray back in the Elton John Band, performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. His 1982 hit "Empty Garden (Hey Hey Johnny)", came from his ''Jump Up!'' album, his second under a new US recording contract with Geffen Records.

He married his close friend and sound engineer, Renate Blauel on Valentine's Day 1984 - the marriage lasted three years. The Biography Channel Special detailed the loss of Elton's voice in 1986 while on tour in Australia. Shortly thereafter he underwent throat surgery, which permanently altered his voice. Several non-cancerous polyps were removed from his vocal cords, resulting in a change in his singing voice. In 1987 he won a libel case against ''The Sun'' which published allegations of sex with rent boys.

With original band members Johnstone, Murray and Olsson together again, John was able to return to the charts with the 1983 hit album ''Too Low for Zero'', which included "I'm Still Standing" and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number 4 in the US, giving John his biggest hit there since "Little Jeannie". He placed hits in the US Top Ten throughout the 1980s – "Little Jeannie" (number 3, 1980), "Sad Songs (Say So Much)" (number 5, 1984), "Nikita" boosted by a mini-movie pop video directed by Ken Russell (number 7, 1986), a live orchestral version of "Candle in the Wind" (number 6, 1987), and "I Don't Wanna Go On With You Like That" (number 2, 1988). His highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder on "That's What Friends Are For" (number 1, 1985); credited as Dionne and Friends, the song raised funds for AIDS research. His albums continued to sell, but of the six released in the latter half of the 1980s, only ''Reg Strikes Back'' (number 16, 1988) placed in the Top 20 in the United States.

In 1985, Elton John was one of the many performers at Live Aid held at Wembley Stadium. John played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time in years; and introduced his friend George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me". He enlisted Michael to sing backing vocals on his single "Wrap Her Up", and also recruited teen idol Nik Kershaw as an instrumentalist on "Nikita". John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album ''Rock the Nations''.

In 1988, he performed five sold-out shows at New York's Madison Square Garden, giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London.

The 90s: "Sacrifice" to ''Aida'' (1990–1999)

In 1990, John finally achieved his first UK number one hit on his own, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album ''Sleeping with the Past''; it would stay at the top spot for six weeks. The following year, John's "Basque" won the Grammy for Best Instrumental, and a guest concert appearance he had made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the US and UK. At the 1991 Brit Awards in London, Elton John won the award for Best British Male.

In 1992 he released the US number 8 album ''The One'', featuring the hit song "The One". John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, giving them the largest cash advance in music publishing history. In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen. In September, John performed "The One" at the 1992 MTV Video Music Awards, and also closed the ceremony performing "November Rain" with Guns N' Roses. The following year, he released ''Duets'', a collaboration with 15 artists including Tammy Wynette and RuPaul. This also included a new collaboration with Kiki Dee, entitled "True Love", which reached the Top 10 of the UK charts.

Along with Tim Rice, Elton John wrote the songs for the 1994 Disney animated film ''The Lion King'', which became the 3rd highest-grossing animated feature of all time. At the 67th Academy Awards ceremony, ''The Lion King'' provided three of the five nominees for the Academy Award for Best Song, which John won with "Can You Feel the Love Tonight". Both that and "Circle of Life" became hit songs for John. "Can You Feel the Love Tonight" would also win Elton John the Grammy Award for Best Male Pop Vocal Performance at the 37th Grammy Awards. After the release of the ''The Lion King'' soundtrack, the album remained at the top of ''Billboard'''s charts for nine weeks. On 10 November 1999, the RIAA certified ''The Lion King'' "Diamond" for selling 15 million copies.

In 1995 John released ''Made in England'' (number 3, 1995), which featured the single "Believe". John performed "Believe" at the 1995 Brit Awards, and picked up the prize for Outstanding Contribution to Music. A compilation called ''Love Songs'' was released in 1996.

Early in 1997 John held a 50th birthday party, costumed as Louis XIV, for 500 friends. John also performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of ''Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat'', a work by French ballet legend Maurice Béjart which draws upon AIDS and the deaths of Freddie Mercury and the company's principal dancer Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered; Diana, Princess of Wales died in a Paris car crash on 31 August. In early September, John contacted his writing partner Bernie Taupin, asking him to revise the lyrics of his 1973 song "Candle in the Wind" to honour Diana, and Taupin rewrote the song accordingly. On 6 September 1997, John performed "Candle in the Wind 1997" at the funeral of Diana, Princess of Wales in Westminster Abbey. The song became the fastest, and biggest-selling single of all time, eventually selling over 33 million copies worldwide. The best-selling single in UK Chart history, it sold 4.86 million copies in the UK. The best-selling single in ''Billboard'' history, and the only single ever certified Diamond in the United States, the single sold over 11 million copies in the U.S. The song proceeds of approximately £55 million were donated to the Diana, Princess of Wales Memorial Fund. It would win John the Grammy Award for Best Male Pop Vocal Performance at the 40th Grammy Awards ceremony in 1998. John has publicly performed "Candle in the Wind 1997" only once, at Diana's funeral, vowing never to perform it again unless asked by Diana's sons.

In the musical theatre world, in addition to a 1998 adaptation of ''The Lion King'' for Broadway, John also composed music for a Disney production of ''Aida'' in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards, and the Grammy Award for Best Musical Show Album at the 43rd Grammy Awards. The musical was given its world premiere in the Alliance Theatre in Atlanta. It went on to Chicago and eventually Broadway. He also released a live compilation album called ''Elton John One Night Only - The Greatest Hits'' from the show he did at Madison Square Garden in New York City that same year.

2000 to present

In 2000, John and Tim Rice teamed again to create songs for DreamWorks' animated film ''The Road to El Dorado''. In August 2003, John scored his fifth UK number one single when "Are You Ready for Love" topped the UK Charts. Returning again to musical theatre, John composed music for a West End Theatre production of ''Billy Elliot the Musical'' in 2005 with playwright Lee Hall. John's only theatrical project with Bernie Taupin so far is ''Lestat: The Musical'', based on the Anne Rice vampire novels. However it was slammed by the critics and closed in May 2006 after 39 performances.

John was named a Disney Legend for his numerous outstanding contributions to Disney's films and theatrical works on 9 October 2006, by The Walt Disney Company. In 2006 he told ''Rolling Stone'' magazine that he plans for his next record to be in the R&B/hip-hop genre. "I want to work with Pharrell {Williams}, Timbaland, Snoop {Dogg}, Kanye {West}, Eminem and just see what happens."

In March 2007 he performed at Madison Square Garden for a record breaking 60th time for his 60th birthday, the concert was broadcast live and a DVD recording was released as ''Elton 60 - Live at Madison Square Garden''; a greatest-hits compilation CD, ''Rocket Man – Number Ones'', was released in 17 different versions worldwide, including a CD/DVD combo; and his back catalogue - almost 500 songs from 32 albums - became available for legal download.

On 1 July 2007, Elton John appeared at the Concert for Diana held at Wembley Stadium in London, in honour of Diana, Princess of Wales, on what would have been her 46th birthday. John opened the concert with "Your Song", and then closed the concert with his second performance, with "Saturday Night's Alright For Fighting", "Tiny Dancer", and "Are You Ready For Love".

In a September 2008 interview with ''GQ'' magazine, John said: "I’m going on the road again with Billy Joel again next year," referring to "Face to Face," a series of concerts featuring both musicians. The tour began in March and will continue for at least two more years.

In October 2003, John announced that he had signed an exclusive agreement to perform 75 shows over three years at Caesars Palace on the Las Vegas Strip. The show, entitled ''The Red Piano'', was a multimedia concert featuring massive props and video montages created by David LaChapelle. Effectively, he and Celine Dion share performances at Caesars Palace throughout the year - while one performs, one rests. The first of these shows took place on 13 February 2004. On 21 June 2008, he performed his 200th show in Caesars Palace. A DVD/CD package of ''The Red Piano'' was released through Best Buy in November 2008. A two year global tour was sandwiched between commitments in Las Vegas, Nevada, some of the venues of which were new to John. The Red Piano Tour closed in Las Vegas in April 2009.

Elton John performed a piano duet with Lady Gaga at the 52nd Grammy Awards. On 6 June 2010, John performed at the fourth wedding of conservative commentator Rush Limbaugh for a reported US$1 million fee. Eleven days later, and 17 years to the day after his last previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other then-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, Elton John noted he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after Elton did, but cancelled in the wake of the aforementioned raid, citing his [Costello's] conscience.

John's latest studio album is entitled ''The Union'' and was released on 19 October 2010. John says his collaboration with American singer-songwriter and sideman Leon Russell marks a new chapter in his recording career, saying: "I don't have to make pop records any more."

Elton John began his new show "The Million Dollar Piano" at The Colosseum at Caesars Palace, Las Vegas on 28 September 2011. John will be performing the show at Caesars for the next three years. John performed his 3000th concert on Saturday 8 October 2011 at Caesars. In 2011, John performed vocals on ''Snowed in at Wheeler Street'' with Kate Bush for her ''50 Words for Snow'' album.

Artistry

Songwriting

John has written with his song-writing partner Bernie Taupin since 1967 when he answered an advertisement for talent placed in the popular UK music publication, ''New Musical Express'', by Liberty records A&R man Ray Williams. The pair have collaborated on more than 30 albums to date.

The 1991 film documentary ''Two Rooms'' described the writing style that John and Taupin use, which involves Taupin writing the lyrics on his own, and John then putting them to music, with the two never in the same room during the process. Taupin would write a set of lyrics, then mail them to John, wherever he was in the world, who would then lay down the music, arrange it, and record.

Music style

John's voice was once classed as tenor, it is now baritone. His piano playing is influenced by classical and gospel music. He used Paul Buckmaster to arrange the music on his studio albums during the 1970s.

Personal life

Family

In the late 1960s, John was engaged to be married to his first lover, secretary Linda Woodrow, who is mentioned in the song "Someone Saved My Life Tonight". He married German recording engineer Renate Blauel on 14 February 1984, in Darling Point, Sydney, with speculation that the marriage was a cover for his homosexuality. John had come out as bisexual in a 1976 interview with ''Rolling Stone'', but after his divorce from Blauel in 1988 he told the magazine that he was "comfortable" being gay.

In 1993, John began a relationship with David Furnish, a former advertising executive and now filmmaker. John and Furnish entered a civil partnership on 21 December 2005. They held a low-key ceremony at the Windsor Guildhall, followed by a lavish party at their Berkshire mansion, thought to have cost £1 million. Their son, Zachary Jackson Levon Furnish-John, was born to a surrogate mother on 25 December 2010 in California. John and Furnish chose Lady Gaga, magazine editor Ingrid Sischy, and Sichy's partner Sandy Brant as Zachary's godmothers.

In September 2009, John announced his intention to adopt a 14-month-old boy, Lev, from an AIDS orphanage in Ukraine, but he was denied due to his age and marital status. Furnish stated they would continue to financially support Lev and his brother and would campaign for a change in Ukrainian law. John has ten known godchildren, including Sean Lennon, David and Victoria Beckham's sons Brooklyn and Romeo, Elizabeth Hurley's son Damian Charles, and the daughter of Seymour Stein.

Wealth

In April 2009, the Sunday Times Rich List estimated John's wealth to be £175 million (US$265 million), and ranked him as the 322nd richest person in Britain. John was estimated to have a fortune of £195 million in the ''Sunday Times Rich List'' of 2011, making him one of the 10 richest people in the British music industry. Aside from his main home "Woodside" in Old Windsor, Berkshire, John owns residences in Atlanta, Nice, London's Holland Park, and Venice. John is an art collector, and is believed to have one of the largest private photography collections in the world.

In 2000, John admitted to spending £30 million in just under two years—an average of £1.5 million a month. Between January 1996 and September 1997, he spent more than £9.6m on property and £293,000 on flowers. In June 2001 John sold 20 of his cars at Christie's, saying he didn't get the chance to drive them because he was out of the country so often. The sale, which included a 1993 Jaguar XJ220, the most expensive at £234,750, and several Ferraris, Rolls-Royces, and Bentleys, raised nearly £2 million. In 2003, John sold the contents of his Holland Park home—expected to fetch £800,000 at Sotheby's—in a bid to create more room for his collection of contemporary art which includes many works of art by Young British Artists such as Sam Taylor-Wood and Tracy Emin. Every year since 2004, John has opened a shop called "Elton's Closet" in which he sells his second-hand clothes.

Other

Throughout his career, John has battled addictions to alcohol and cocaine. By 1975, the pressures of stardom had begun to take a serious toll on him. During "Elton Week" in Los Angeles that year, John suffered a drug overdose. He also battled the eating disorder bulimia. In a CNN interview with Larry King in 2002, King asked if John knew of Diana, Princess of Wales' eating disorder. John replied, "Yes, I did. We were both bulimic."

A longtime tennis enthusiast, John wrote the song "Philadelphia Freedom" in tribute to long-time friend Billie Jean King and her World Team Tennis franchise of the same name. John and King also co-host an annual pro-am event to benefit AIDS charities, most notably John's own Elton John AIDS Foundation, for which King is a chairwoman. John, who maintains a part-time residence in Atlanta, Georgia, became a fan of the Atlanta Braves baseball team when he moved there in 1991.

Watford Football Club

John became chairman and director of Watford Football Club in 1976, appointing Graham Taylor as manager and investing large sums of money as the club rose three divisions into the First Division. The pinnacle of the club's success was finishing runners up in the First Division and reaching the FA Cup Final a year later. He sold the club to Jack Petchey in 1987, but remained their life-long president. In 1997 he re-purchased the club from Petchey and once again became chairman. He stepped down in 2002 when the club needed a full-time chairman although he continued as president of the club. Although no longer the majority shareholder, he still holds a significant financial interest. In June 2005 he held a concert at Watford's Vicarage Road ground, donating the funds to the club, and another concert in May 2010. For a time he was also a part-owner of the Los Angeles Aztecs of the North American Soccer League.

AIDS Foundation

John has been associated with AIDS charities since the deaths of his friends Ryan White and Freddie Mercury, raising large amounts of money and using his public profile to raise awareness of the disease. For example, in 1986 he joined with Dionne Warwick, Gladys Knight, and Stevie Wonder to record the single "That's What Friends Are For", with all profits being donated to the American Foundation for AIDS Research. The song won John and the others the Grammy Award for Best Pop Performance by a Duo or Group with Vocal (as well as Song of the Year for its writers, Burt Bacharach and Carole Bayer Sager). In April 1990, John performed "Skyline Pigeon" at the funeral of White, a teenage haemophiliac he had befriended.

John founded the Elton John AIDS Foundation in 1992 as a charity to fund programmes for HIV/AIDS prevention, for the elimination of prejudice and discrimination against HIV/AIDS-affected individuals, and for providing services to people living with or at risk of contracting HIV/AIDS. This cause continues to be one of his personal passions. In early 2006, John donated the smaller of two bright-red Yamaha pianos from his Las Vegas, Nevada show to auction on eBay to raise public awareness and funds for the foundation.

To raise money for his AIDS charity, John hosts annually a glamorous White Tie & Tiara Ball, to which many famous celebrities are invited. On 28 June 2007, the 9th annual White Tie & Tiara Ball took place. The menu consisted of a truffle soufflé followed by Surf and Turf (filet mignon with Maine lobster tail) and a giant Knickerbocker glory ice cream. An auction followed the dinner held by Stephen Fry. A Rolls Royce ‘Phantom’ drophead coupe and a piece of Tracey Emin's artwork both raised £800,000 for the charity fund, with the total amount raised reaching £3.5 million. Later on in the event, John sang "Delilah" with Tom Jones and "Big Spender" with Shirley Bassey. Tickets for the Ball cost £1,000 a head. The event raised £4.6 million for his AIDS Foundation in 2006.

Activism

On 1 April 2010, John joined Cyndi Lauper in the launch of her ''Give a Damn campaign'' to bring a wider awareness of discrimination of the LGBT community as part of her True Colors Fund. In the advertisement, John states: "Imagine walking down the street and wondering if this is the day you'll get beaten up, or even killed, simply because of who you are". The campaign is to bring straight people to stand up with the gay, lesbian, bisexual, transgendered community and stop the discrimination. Other names included in the campaign are Whoopi Goldberg, Jason Mraz, Judith Light, Cynthia Nixon, Kim Kardashian, Clay Aiken, Sharon Osbourne, Kelly Osbourne, and Anna Paquin.

He is an occasional columnist in the ''Guardian''.

Honours and awards

John was inducted into the Rock and Roll Hall of Fame in his first year of eligibility in 1994. He and Bernie Taupin had previously been inducted into the Songwriters Hall of Fame in 1992. John was made a Commander of The Most Excellent Order of the British Empire (CBE) in 1995. For his charitable work, John was knighted by Queen Elizabeth II on 24 February 1998. In October 1975, John became the 1,662nd person to receive a star on the Hollywood Walk of Fame.

John received an Honorary Doctorate of Music (Hon DMus) from the University of London in 2002.

He became a recipient of a Kennedy Center Honor in 2004, and a Disney Legends Award in 2006. In 2010, Elton John was awarded with the PRS for Music Heritage Award, which was erected, on The Namaste Lounge Pub in Watford, where Elton performed his first ever gig.

Music awards include the Academy Award for Best Original Song for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); the Golden Globe Award for Best Original Song in 1994 for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); and the Tony Award for Best Original Score in 2000 for Elton John and Tim Rice's Aida (award shared with Tim Rice)

John has six Grammy Awards:

1987: Best Pop Performance by a Duo or Group with Vocal for "That's What Friends Are For", performed by Dionne Warwick & Friends (award shared with Dionne Warwick, Gladys Knight & Stevie Wonder)

1991: Best Instrumental Composition for "Basque", performed by James Galway

1994: Best Male Pop Vocal Performance for "Can You Feel The Love Tonight"

1997: Best Male Pop Vocal Performance for "Candle In The Wind" 1997

1999: Grammy Legend Award

2001: Best Musical Show Album for ''Elton John & Tim Rice's Aida'' (award shared with Guy Babylon, Paul Bogaev & Chris Montan (producers), Tim Rice (lyricist) and the original Broadway cast with Heather Headley, Adam Pascal, and Sherie Rene Scott)

Elton John Band

Since 1970, John has been the pianist and lead singer, as well as writer of music of the Elton John Band. The band had multiple line-up changes. Bernie Taupin has been the band's lyricist during their classic era and also to this day. In addition, Davey Johnstone, Nigel Olsson, and Ray Cooper are the only returning members of the band's original line-up since 1970 (Olsson), and 1972 (Johnstone and Cooper). Ray Cooper is on and off with the Elton John Band because he is working with other musicians as a session and road-tour percussionist. Furthermore, Elton John has also used a number of session musicians in the time of his career.

Discography

;Studio albums

''Empty Sky'' (1969)

''Elton John'' (1970)

''Tumbleweed Connection'' (1970)

''Madman Across the Water'' (1971)

''Honky Château'' (1972)

''Don't Shoot Me I'm Only the Piano Player'' (1973)

''Goodbye Yellow Brick Road'' (1973)

''Caribou'' (1974)

''Captain Fantastic and the Brown Dirt Cowboy'' (1975)

''Rock of the Westies'' (1975)

''Blue Moves'' (1976)

''A Single Man'' (1978)

''Victim of Love'' (1979)

''21 at 33'' (1980)

''The Fox'' (1981)

''Jump Up!'' (1982)

''Too Low for Zero'' (1983)

''Breaking Hearts'' (1984)

''Ice on Fire'' (1985)

''Leather Jackets'' (1986)

''Reg Strikes Back'' (1988)

''Sleeping with the Past'' (1989)

''The One'' (1992)

''Duets'' (1993)

''Made in England'' (1995)

''The Big Picture'' (1997)

''Songs from the West Coast'' (2001)

''Peachtree Road'' (2004)

''The Captain & the Kid'' (2006)

''The Union (with Leon Russell)'' (2010)

''TBA'' (2012)

;Soundtracks, scores & theatre albums

''Friends'' (1971)

''The Lion King'' (1994)

''Aida'' (1998)

''The Muse'' (1999)

''The Road to El Dorado (soundtrack)'' (2000)

''Billy Elliot'' (2005)

''Lestat'' (2005)

''Gnomeo & Juliet'' (2011)

;Films

''Elton John: Me, Myself & I'' (2007) autobiography as himself

''The Country Bears'', US (2002) as himself

''Spice World'', UK (1997) as himself

''Tommy'', UK (1975) as Pinball Wizard

''Born to Boogie'', US playing as himself with Marc Bolan and Ringo Starr

References

;Bibliography

''Elton John: A Visual Documentary'', Nigel Goodall, Omnibus Press, 1993 ISBN 0711930783

''His Song: The Musical Journey of Elton John'', Elizabeth Rosenthal, Billboard Books, 2001, ISBN 0823088928

External links

Elton John's official website

Commentary by Elton John (''The Guardian'')

Category:1947 births Category:AIDS activists Category:Alumni of the Royal Academy of Music Category:Best Song Academy Award winning songwriters Category:Brit Award winners Category:British rhythm and blues boom musicians Category:Commanders of the Order of the British Empire Category:English football chairmen and investors Category:English-language singers Category:English musical theatre composers Category:English pop pianists Category:English rock pianists Category:English singer-songwriters Category:English tenors Category:Grammy Award winners Category:Ivor Novello Award winners Category:Kennedy Center honorees Category:Knights Bachelor Category:LGBT composers Category:LGBT musicians from the United Kingdom Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Old Windsor Category:People from Pinner Category:People self-identifying as alcoholics Category:Religious skeptics Category:Rock and Roll Hall of Fame inductees Category:Rocket Records artists Category:Silver Clef Awards winners Category:Singers from London Category:Songwriters Hall of Fame inductees Category:Watford F.C. directors Category:MusiCares Person of the Year Category:Grammy Legend Award

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